Black Friday

In the frantic glow of a Thanksgiving night, a small team of toy‑store employees braces for the chaos of the year’s biggest shopping rush. The aisles of We Love Toys are stacked with brightly wrapped gifts, the air humming with holiday jingles, and a palpable mix of anticipation and exhaustion hangs over the staff. Against this familiar retail backdrop, an unseen alien force begins to seep in, turning the ordinary frenzy into something far more unsettling. The premise teeters between dark comedy and tense horror, promising a night where the everyday becomes extraordinary.

At the heart of the story are two reluctant leaders. Ken Bates, a single dad juggling evening shifts and family responsibilities, carries the weight of a life that never seems to pause for the holidays. Opposite him stands the seasoned store manager, Jonathan Wexler, whose experience and cynicism have kept the shop running through countless Black Fridays. Alongside them, a colorful crew of coworkers—Marnie, a quick‑witted sales associate; Chris, a laid‑back employee with a dry sense of humor; and Brian, the earnest rookie—each bring their own quirks and hidden worries to the cramped back‑room camaraderie. Their interactions crackle with the kind of banter that only long hours behind a cash register can birth, hinting at deeper bonds that will be tested when the night takes a horrific turn.

The tone is steeped in a gritty, neon‑lit realism that feels simultaneously familiar and nightmarish. As the store prepares for the inevitable surge of shoppers, the looming alien presence injects a suspenseful, almost paranoid energy into every clang of a stocking shelf and every whispered joke over coffee. The film promises a blend of high‑octane terror and darkly comic moments, all set within the claustrophobic confines of a holiday‑season retail battlefield—where loyalty, survival, and a dash of holiday spirit may be the only things standing between the employees and the unknown menace creeping through the doors.

Last Updated: August 10, 2025 at 00:29