28 Days

In the wake of a chaotic incident that lands her at a crossroads, Gwen Cummings must choose between the stark confines of a jail cell and the uncertain refuge of a 28‑day rehabilitation program. The decision thrusts her into a world where the usual rhythms of everyday life are replaced by structured group sessions, unconventional therapies, and a community of strangers each clutching their own fragile hopes for recovery. The film balances a light‑hearted, off‑beat humor with the weighty reality of confronting personal demons, creating a tone that feels both witty and earnest.

Within the walls of the center, Gwen meets a cast of characters whose diverse backgrounds and coping mechanisms illuminate the many faces of addiction. A teenage roommate, seasoned by her own cycle of relapse and renewal, becomes an unexpected mirror, while Jasper, the charming but unreliable boyfriend who lingers at the periphery of Gwen’s life, epitomizes the pull of old habits. The setting itself—bright communal rooms, quiet counseling corners, and outdoor spaces that feel both therapeutic and confining—serves as a backdrop for subtle power dynamics and quiet moments of self‑reflection. The story subtly hints at the tension between resistance and curiosity as Gwen tests the limits of the program’s unorthodox methods.

As the days unfold, the narrative invites viewers to wonder whether Gwen will remain defiant or allow herself to be reshaped by the community around her. The film’s pacing mirrors the incremental nature of recovery, offering glimpses of humor, frustration, and tentative connection without revealing how those threads will ultimately intertwine. In this snapshot of a pivotal juncture, the audience is left with a sense of anticipation, sensing that the real journey is less about the destination and more about the choices made along the way.

Last Updated: August 10, 2025 at 12:42