We’re Not Dressing

A spoiled socialite who craves entertainment and novelty. She baits Stephen with witty barbs, schemes to outmaneuver him, and responds to slights with prideful anger. Her evolution comes as she realizes companionship and partnership may beat constant one-upmanship.

A practical, capable sailor who keeps the group alive after the shipwreck. He navigates a power struggle with the passengers while remaining sensible and calm under pressure. His quiet romance with Doris complicates his leadership role.

A brassy, loyal friend who adds social energy and humor to the stranded group. She champions Doris while also revealing her own blunt, fearless nature. Her presence lightens the heavy dynamics on the island.

Prince Michael, a courteous and reserved suitor who represents the other romantic option for Doris. He brings a sense of formality to the situation but is ultimately overshadowed by the island's chaotic humor. His relationship with Doris adds a political layer to the rescue mission.

A scientist-husband who juxtaposes Gracie's zany antics with rational, methodical thinking. He offers practical knowledge amid social shenanigans and acts as a calm counterweight to Doris's schemes. His warmth undercuts the more abrasive humor.

A boisterous, well-meaning relative whose clumsy moment triggers the yacht disaster. His presence provides slapstick energy and a reminder of the film's farcical roots. He remains a lovable yet flawed anchor in the melee.

A zany, unpredictable presence who offers comic relief and an eccentric counterpoint to George. Her antics on the island create misunderstandings and playful confusion. Gracie's charm helps bridge the gulf between civilization and frontier improvisation.

A younger, brash prince who competes with his brother for Doris's affections. He embodies the flirtatious competition among the island's cast. His presence heightens the comedy as romantic rivalries collide with reality.