We’re in the Money

We’re in the Money

Year: 1935

Runtime: 66 mins

Language: English

Director: Ray Enright

ComedyMusicRomance

Ginger and Dixie are process servers for eccentric lawyer Homer Bronson. Wanting to quit, they accept a $1,000 job to deliver four subpoenas in a breach‑of‑promise suit against wealthy C. Richard Courtney. Ginger learns that Courtney’s park‑bench boyfriend, Carter, is the same man, pulling them into a comic maze of mistaken identities and legal chaos.

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Timeline & Setting – We’re in the Money (1935)

Explore the full timeline and setting of We’re in the Money (1935). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1930s

The story unfolds in the United States during the 1930s, a period of glamorous show business and evolving social norms. Subpoenas, a yacht, nightclubs, and a courtroom caper all align with the era's lighthearted, fast-paced farce. The plot relies on disguises, quick dialogue, and a last-minute rescue that typifies mid-1930s screwball comedies.

Location

Last Updated: October 04, 2025 at 19:05

Main Characters – We’re in the Money (1935)

Meet the key characters of We’re in the Money (1935), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Ginger Stewart (Joan Blondell)

A quick-witted process server who uses charm and nerve to navigate subpoenas and social intrigue. She is bold, resourceful, and capable of turning a tense moment into a clever ploy. Her growing romance with Courtney tests her loyalty to professional duty.

🎭 Charismatic schemer 💘 Romantic lead 🔎 Quick-witted 🗺️ Resourceful

Dixie Tilton (Glenda Farrell)

Ginger's brash, loyal partner who brings humor and persistence to the subpoenas. She misreads situations but remains supportive and bold. Her antics highlight the lighter side of the caper while she stands by Ginger.

🎶 Entertainer 😂 Comic foil 🤝 Loyal friend 🕵️‍♀️ Sly opportunist

C. Richard Courtney (Ross Alexander)

Wealthy defendant who falls for Ginger while posing as a chauffeur. He is resourceful, conflicted between fear and love, and ultimately grapples with whether to escape or face the consequences. His ignorance of Ginger's knowledge adds tension to the romance.

💼 Wealthy aristocrat 💘 Secret romance 🧭 Cunning 🚤 Yacht lifestyle

Claire LeClaire (Anita Kerry)

The plaintiff in the breach-of-promise case, a figure of wealth whose relationship with Courtney kickstarts the legal plot. She becomes a potential obstacle for the couple, representing social status and the stakes of public reputation.

💰 Socialite ⚖️ Plaintiff 🧪 Social stakes

Homer Bronson (Hugh Herbert)

The ditsy lawyer who engineers the scheme, orchestrating subpoenas and a fake photograph. His bumbling confidence masks a sharp, calculating mind as he manipulates others to advance his case. He provokes the central conflict by blurring truth and profit.

⚖️ Lawyer 🧠 Schemer 🎭 Bluster

Phil Logan (Phil Regan)

A nightclub singer drawn into the web of subpoenas, embodying the showbiz milieu that frames the comedy. His presence adds a musical element to the caper and mirrors the era's entertainment culture.

🎤 Nightclub star 🎶 Showbiz 🕊️ Lighthearted

Butch Gonzola (Lionel Stander)

A gangster figure who becomes one of the targets of the subpoenas, representing the criminal underworld that intersects with the courtly farce. He contributes to the film's energy with menace tempered by humor.

🕶️ Gangster 💥 Underworld 🧩 Comic foil

Man Mountain Dean (Frank Leavitt)

A professional wrestler who provides a dramatic action beat in the middle of a bout, showcasing the mix of sport, spectacle, and danger in the story. His presence heightens the film's lively, varied cast.

💪 Wrestler 🏆 Showdown 🎭 Spectacle

Chief Pontiac (Myron Cox)

A supporting character who contributes to the film's ensemble dynamic with a blend of humor and bravado, reflecting the era's colorful cast of minor roles. He adds to the film's lively, sometimes risky humor.

🏺 Minor role 🏃‍♂️ Comic energy 🗺️ Supporting cast

Stephen Dinsmore (Henry O'Neill)

The lawyer friend who counsels Courtney and contributes to the courtroom plan. He embodies the professional voice in the farce, balancing seriousness with moments of comic relief. His involvement anchors the legal maneuvers that drive the plot.

⚖️ Legal mind 🧭 Steady presence 🕰️ Counselor

Max (Hobart Cavanaugh)

A supporting character who helps populate the social world around the main cast, reflecting the ensemble nature of the film's setting. He adds to the film's texture with a practical, sometimes wry presence.

🕴️ Supporting player 📈 Ensemble 🗣️ Wry observer

Last Updated: October 04, 2025 at 19:05

Major Themes – We’re in the Money (1935)

Explore the central themes of We’re in the Money (1935), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

💘 Romance

Love complicates the scheme as Ginger and Courtney fall for each other while pretending to be strangers. Their romance rides on secrets, miscommunications, and the tension between duty and desire. The couple must navigate trust and truth before a wedding becomes a farce.

🎭 Disguise

Masquerade and mistaken identity drive the plot, with Ginger and Courtney hiding true identities to manipulate subpoenas and the trial. The humor hinges on how disguises unravel at crucial moments, revealing loyalties and true feelings. The comedy plays with appearance versus reality in a high-spirited way.

⚖️ Legal farce

A breach-of-promise case, fake photographs, and last-minute courtroom reversals create a playful legal labyrinth. The schemers bend rules and expectations to shape outcomes, only to have the truth surface at the crucial moment. The movie uses the law as a springboard for farcical misunderstandings and romance.

Last Updated: October 04, 2025 at 19:05

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We’re in the Money Timeline

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