Year: 2006
Runtime: 72 mins
Language: English
Director: Xeth Feinberg
Queer Duck can’t even fly straight. When his 18‑month partner, Stephen Arlo “Openly” Gator, a waiter, is tempted by a brassy Broadway performer, their relationship hits a crisis. Duck wonders if he’d be happier as straight, while Gator confides his woes to a compassionate Conan O’Brien.
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Queer Duck wakes up after a late-night party and flicks on a television that air a commercial for an idealized amusement park called Happyland. The promo proclaims a special “Gay Day at Happyland,” but officials swoop in to shut it down and tell everyone to leave because they’re gay. Lying in bed, he confronts a haunting thought: if society largely rejects him, what real point is there in staying true to who he is? The moment grips him with a unsure ache, and the film widens that ache into a gentle, persistent question about authenticity, happiness, and belonging.
At work, he crosses paths with the dazzling Lola Buzzard, a Broadway dynamo whose bright charm, quick wit, and fearless style instantly strike a chord with him. Her energy—part swing, part sass—becomes a beacon of possibility. Lola’s unapologetic attitude and radiant optimism pull Queer Duck toward a dream he thought was out of reach. She embodies a kind of fearless self-expression that he’s been craving, and soon he finds himself drawn to her not just as a potential partner, but as a muse who could help him reclaim a life that feels honest and alive.
As the story unfolds, Queer Duck is torn between staying true to his identity and embracing a version of himself that might fit a more conventional mold. The playwright Oscar Wildcat whispers that marriage to Lola could be the one sure path to lasting happiness, a path that might finally quiet the questions that have haunted him since youth. In the 1960s, when homosexuality was criminalized in many places, Queer Duck recalls hidden bars and the thrill of forbidden nights, where a drag queen named Rex—who calls herself Regina—shared a fleeting, powerful moment with him amid rebellion and music. Their dance and kiss, set against the backdrop of the era’s turmoil, become a memory he carries with him, a reminder of both risk and longing.
That memory clashes with Openly Gator’s steady, supportive wish: accept who you are, and find happiness in that truth. Openly Gator longs to see Queer Duck free to love without compromise, and his quiet, hidden emotion becomes a running thread that underscores the film’s themes of acceptance and self-worth. When Queer Duck hesitates, Openly Gator’s simple line—whatever makes you happy will make me happy—speaks volumes about the strength of chosen family and friendship.
To resolve the dilemma, Lola introduces a controversial path: a clergyman named Reverend Vandergelding who claims he can turn Queer Duck straight. The plan seems laughable at first, but the Reverend’s methods fail spectacularly, and he contrives a dangerous elixir that could strip Queer Duck of his true self. Queer Duck agrees to the experiment, but the result is a hollow, muscular, straight persona that cannot sustain the life he longs for. He ends up marrying Lola, yet tragedy strikes when Lola dies, leaving him to grapple with the hollow victory of a life that wasn’t his own.
Openly Gator, still reeling from the loss, channels his heartbreak into a souring of his own dreams. He grapples with the pain of wanting Queer Duck to be happy, even if that happiness means not being with Openly Gator, and he uses his frustration to lash out at those around him—including the charismatic comedian Conan O’Brien, who keeps stopping by the restaurant where the pair cross paths. The drama culminates as Queer Duck’s wedding approaches, and Openly Gator confronts the possibility that his friend may be straying from the life he hoped for him.
In a dramatic turn, Barbra Streisand’s influence sways Queer Duck toward another shift in his life, and Openly Gator spirals through a renewed sense of longing: he becomes involved with Liza Minnelli, which turns out to be a real connection rather than a façade. Yet the film refuses to settle into simple triumph or tragedy: Queer Duck regains his sense of self, while Openly Gator learns to celebrate the love that truly makes him whole.
The Reverend Vandergelding—angered by the public celebration of Queer Duck’s life and the park’s success in promoting it—escapes from custody, kidnapping Queer Duck and vowing to erase the community he despises with his powerful elixir. Openly Gator rushes to the rescue as Queer Duck finds himself called to be a captain of a ride in the park. In a pivotal moment, Openly Gator confronts the Reverend and drives him away, splashing him with his own elixir until a pink-haired, blushingly defeated villain is charged by a referencing, kiss-loving gay bull.
In the aftermath, Queer Duck and Openly Gator finally reconcile their differences and acknowledge their love for each other. Queer Duck openly proclaims his identity, choosing to stay true to who he is, and the two share a kiss that seems to heal more than just a personal rift. The film closes with a rousing finale, a performance of the show-stopping number that proclaims a simple truth: happiness comes from being authentic to yourself.
“I’m Glad I’m Gay.”
Last Updated: October 09, 2025 at 16:32
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