Year: 1982
Runtime: 95 min
Language: English
Director: Alan Parker
Confined to a Los Angeles hotel room, a successful musician begins a descent into psychological turmoil, triggering a series of fragmented memories and surreal visions. He confronts a painful past marked by loss, isolation, and an overprotective mother, events that have led him to construct a metaphorical wall to protect himself. The film explores themes of trauma, grief, and the struggle for personal freedom through a combination of live-action and animation.
Warning: spoilers below!
Haven’t seen Pink Floyd: The Wall yet? This summary contains major spoilers. Bookmark the page, watch the movie, and come back for the full breakdown. If you're ready, scroll on and relive the story!
Explore the full timeline and setting of Pink Floyd: The Wall (1982). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.
Last Updated: October 22, 2024 at 19:56
Meet the key characters of Pink Floyd: The Wall (1982), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.
Last Updated: October 22, 2024 at 19:56
Explore the central themes of Pink Floyd: The Wall (1982), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.
Last Updated: October 22, 2024 at 19:56
Don't stop at just watching — explore Pink Floyd: The Wall in full detail. From the complete plot summary and scene-by-scene timeline to character breakdowns, thematic analysis, and a deep dive into the ending — every page helps you truly understand what Pink Floyd: The Wall is all about. Plus, discover what's next after the movie.
Read a complete plot summary of Pink Floyd: The Wall, including all key story points, character arcs, and turning points. This in-depth recap is ideal for understanding the narrative structure or reviewing what happened in the movie.
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