Operation ‘Happy New Year’!

In the cramped trauma ward of a bustling city hospital, a kaleidoscope of strangers converges on New Year’s Eve, turning a place of routine care into an unlikely stage for holiday mischief. The film opens with Sergey Olegovich Savenko, a writer of erotic fiction whose ill‑fated experiment lands him in the ward with broken wrists, instantly setting a tone of crude humor blended with unexpected tenderness. Beside him, General Ivolgin arrives, a gruff military man whose injury adds a sudden splash of authoritative swagger to the already eclectic mix.

The patient roster reads like a circus troupe: a quarrelsome married couple fresh from a car crash, a businessman nursing an array of embarrassing injuries, and Sergeant Semyonov escorting a detainee with a bizarre, swallowed police medal. Long‑time residents such as Poluyan, a resourceful drug‑addicted scavenger, and the nameless “Incurable Patient” who offers cryptic commentary, provide a steady undercurrent of melancholy amidst the chaos. Adding layers of surreal charm, Zoya wanders through the ward as the writer’s lover and secret confidante, while an ever‑changing Father Frost figure—along with a German‑speaking Santa and a drunken urology professor—pop in and out, turning the corridors into a carnival of holiday absurdity.

At the heart of the story is the on‑duty doctor, Evgeny Kachalov, whose quiet professionalism clashes with the growing desire of patients and staff to transform the sterile space into a festive gathering. The hospital’s ordinary rhythm is overridden by a makeshift celebration orchestrated by the General, complete with decorations, food, and an impromptu invite to nearby patients. This blend of institutional setting and riotous revelry creates a comic yet affectionate portrait of humanity clinging to joy in the most unlikely of places, hinting at the strange solidarity that can emerge when a new year begins behind hospital curtains.

Last Updated: October 27, 2025 at 16:41