Mountains May Depart

In a rapidly shifting China, the film opens amid the country’s sweeping economic transformation, where the old rhythms of a small coal‑town clash with the bright promise of modern ambition. The streets of Fenyang hum with the optimism of new enterprises while the shadows of tradition linger in soot‑stained mines and family homes. This layered backdrop creates a mood that is at once hopeful and nostalgic, a place where personal dreams are measured against the tide of national change.

At the heart of the story is Shen Tao, a shopkeeper whose quiet strength anchors the community. She finds herself pulled between two distinct visions of the future: Zhang, a charismatic entrepreneur whose drive embodies the country’s burgeoning market spirit, and Liangzi, a modest coal miner whose life reflects the endurance of older customs. Their differing worlds illuminate the tension between progress and heritage, and Tao’s internal struggle becomes a delicate dance of love, identity, and the desire for belonging. The film’s tone is lyrical and introspective, letting everyday moments—glances across a bustling market, the echo of a distant train—speak louder than any dialogue.

Threaded through these choices is the next generation, hinted at by the presence of Tao’s young son Daole. His curious eyes and tentative steps hint at a future that will inherit both the rapid modernization and the lingering echoes of the past. The narrative’s style is subtle, using music and light to underscore the emotional distance and quiet hope that pervade each character’s path. As the story unfolds across years, the audience is invited to contemplate how love, ambition, and the relentless march of time shape the contours of a family’s ever‑evolving landscape.

Last Updated: August 10, 2025 at 04:06