Lola Igna

A centenarian farmer living alone in a hut by a rice field, Igna embodies quiet resilience. Her desire to die emerges from a lifetime of funerals and loss, yet she remains steadfast in her routine and in welcoming visitors. Over the course of the film, she shows warmth and mentorship to Tim as he records her life and helps prepare for her death.

Igna's great-grandson who arrives with a vlog and a mix of curiosity and practicality. He quickly learns farm work, teaches Igna how to use equipment, and becomes a catalyst for her opening up to visitors. His presence bridges generations and propels the emotional arc toward acceptance and family ties.

Igna's other granddaughter who left after a long-ago argument with Nida. She returns pregnant and seeks to be with her son and grandmother, adding tension but also the possibility of healing old wounds. Her late arrival culminates in a poignant moment of life and loss.

Igna's granddaughter who capitalizes on the upcoming fame by selling themed merchandise. Her plans create friction with Igna's desire for privacy, and her choices highlight the strains between commercialization and family intimacy. The arc hints at eventual reconciliation as the family sorts through its priorities.

The town mayor who sparks the public push and marketing machine by declaring Igna a candidate for the world's oldest living grandmother. His decision catalyzes the media frenzy and public curiosity driving the plot.

Igna's late husband, remembered as a guiding presence who appears in memories and dreams. His memory fuels Igna's contemplation of life, love, and the afterlife, shaping her resolve to prepare for death.

Igna's companion in village life; her presence adds to the tapestry of relationships surrounding Igna and contributes to the sense of community.

A local doctor who attends wakes and weighs in on health and aging, representing the practical view of medicine within the village’s mortality and ritual.