Let’s Live a Little

Let’s Live a Little

Year: 1948

Runtime: 85 mins

Language: English

Director: Richard Wallace

ComedyRomance

A harried advertising executive becomes the romantic focus of two women—a successful perfume magnate who is also his client, and his former fiancée. Meanwhile, the agency’s newest client, a psychiatrist and author, turns out to be a woman when he meets her to discuss an ad campaign. He must choose between romance or insight.

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Timeline & Setting – Let’s Live a Little (1948)

Explore the full timeline and setting of Let’s Live a Little (1948). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1930s–1940s

The film is set in the late 1930s to early 1940s, a period when radio advertising and consumer culture were expanding rapidly. The office environment, fashion, and social mores mirror a pre-war, metropolitan America. Technology and media—like electric razors and book promotions—play into the plot, underscoring the era’s push toward modernity. The psychology-centered plotlines also reflect popular ideas about self-help and personal transformation of the time.

Location

Montgomery Advertising (New York City), Nightclub, Lakeside Lodge

The story mostly unfolds at Montgomery Advertising’s bustling offices in New York City, where pitches and deadlines drive the day. It also visits a fashionable nightclub, a setting that blends glamour with romantic upheaval. A lakeside lodge provides a quiet retreat that triggers pivotal emotional shifts. Together, these locations reflect a mid-20th-century urban glamour and the era’s fascination with self-improvement and public image.

🏙️ New York City 💼 Advertising Industry 🏛️ Office Drama 🎬 Nightlife

Last Updated: October 04, 2025 at 17:24

Main Characters – Let’s Live a Little (1948)

Meet the key characters of Let’s Live a Little (1948), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Duke Crawford (Robert Cummings)

A high-strung advertising executive at Montgomery Advertising, Duke is ambitious and deeply anxious about his professional status and romantic entanglements. His arrogance toward love hides a fear of rejection, which drives him to seek control over both accounts and relationships. As the story progresses, his encounters with Jo force him to confront his misogynistic assumptions and learn to trust his own feelings.

💼 Career-driven 💬 Charismatic

Jo Loring (Hedy Lamarr)

A sharp, confident nerve psychologist who disguises herself as a professional foil to Duke’s stubbornness. She uses her knowledge of the psyche to influence his behavior, initially intending to prove a point about love and stress. As she falls for Duke, she must reconcile her professional stance with genuine emotion and vulnerability.

🧠 Intelligent 💪 Independent

Michele Bennett (Anna Sten)

A glamorous cosmetics client and former fiancée of Duke, Michele wields emotional and strategic power to negotiate the contract she wants. She relishes control and is not afraid to cast doubt on Duke’s intentions. Her evolving relationship with Duke tests the boundary between personal desire and business necessity.

💄 Glamorous 🧭 Strategic

Dr. Richard Field (Robert Shayne)

A stern surgeon and Jo’s colleague, Field serves as a counterpoint to Jo’s experimental approach to psychology. He provides practical perspective and acts as a foil to the more whimsical rest-cure ideas, ultimately playing a role in crisis moments as Jo’s heart wavers between science and love.

🏥 Doctor ⚖️ Pragmatic

James Montgomery (Harry Antrim)

The boss at Montgomery Advertising, Montgomery is the stern, goal-oriented leader who pushes Duke to secure the big clients. He represents the blunt realities of the business world and the pressure to perform, even as romantic complications unfold around the office.

🏢 Boss 💡 Demanding

Last Updated: October 04, 2025 at 17:24

Major Themes – Let’s Live a Little (1948)

Explore the central themes of Let’s Live a Little (1948), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

💘 Love

Romance drives the main conflict, blurring the line between personal desire and professional objectives. Duke’s infatuation with Jo disrupts his business decisions and challenges his earlier assumptions about women. Jo’s presence compounds the tension between career ambitions and emotional fulfillment. The resolution hinges on whether love can indeed change a person’s behavior and priorities.

🧠 Psychology

The plot toys with psychological concepts like transference and rest cures, suggesting that emotions can be manipulated as part of therapy and advertising alike. Jo uses psychological insight to influence Duke, while Duke experiments with being “cured” of his fears through love. The film critiques the idea of medicine or marketing as quick fixes for complex feelings. It also raises questions about consent and manipulation in therapeutic settings.

_identity Identity

Characters perform roles—Duke as a jaded advertising executive, Jo as a confident psychologist—only to discover their true selves through experience and romance. Misperceptions and disguises propel key scenes, from mistaken patient to real romance. The narrative suggests that authentic identity emerges when lovers see each other beyond first impressions. The lakeside retreat becomes a catalyst for genuine self-revelation.

💼 Work

The advertising world is depicted as a high-stakes arena where contracts, campaigns, and client relations shape personal lives. Duke’s professional ambitions collide with his evolving feelings, forcing him to balance the needs of Michele with the potential of Jo. The film satirizes industry buzzwords and promotional tactics while also showing how a successful campaign can be built on sincerity. Ultimately, work and love must align for true happiness.

Last Updated: October 04, 2025 at 17:24

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Narrative Summary

The defining pattern is a romantic plot initiated by a deception, such as one character posing as a patient, a client, or someone they're not. This false premise allows for unusual intimacy and psychological observation. The conflict arises when the deception is threatened, forcing characters to confront their true feelings and leading to a climax where genuine emotion triumphs over the initial pretense.

Why These Movies?

These movies share a specific narrative mechanic where deception drives the romantic plot, creating a unique blend of psychological intrigue and comedy. They are united by themes of identity, self-discovery, and the idea that love can be found in the most unconventional and misleading of circumstances.

Unlock the Full Story of Let’s Live a Little

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Let’s Live a Little Summary

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Let’s Live a Little Summary

Let’s Live a Little Timeline

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Let’s Live a Little Timeline

Let’s Live a Little Spoiler-Free Summary

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Let’s Live a Little Spoiler-Free Summary

More About Let’s Live a Little

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