Leonard Part 6

The film opens with a meta gag about the title, implying this is the sixth installment of Leonard Parker’s adventures. It hints that previous films exist only to protect world security. This setup establishes the movie’s offbeat, self-referential tone from the start.

Parker is shown retired, running a restaurant and enjoying domestic life. His routine is disrupted when he is summoned back into action by the CIA. The opening contrasts his peaceful life with the impending mission, setting up the central conflict.

The CIA director Snyderburn calls Parker out of retirement to save the world from Medusa Johnson. Parker agrees to take the mission, despite reluctance. The summons marks the transition from ordinary life to high-stakes espionage.

Parker infiltrates the International Tuna factory, Medusa Johnson's hideout, to locate her operation and the mind-control device. The setting provides the backdrop for the film’s wacky action and tricked-out villains. He advances through security toward the device.

Inside the factory, Parker battles vegetarians dressed as birds and accompanied by 'horny' bees. The bizarre fight sequences emphasize the film’s surreal humor. He presses on toward the mind-control device.

Parker successfully steals Medusa’s mind-control device, securing a critical advantage. The heist appears to shift momentum, but Medusa’s plan remains in motion. His victory is tempered by the villain’s ongoing threat.

Medusa kidnaps Parker’s wife Alison and uses the threat to force the CIA into returning the device. Parker faces a personal crisis as his family becomes leverage for the enemy. The stakes rise as he redoubles his efforts to recover both Alison and the device.

To regain the mind-control device, Parker enlists laboratory rabbits to attack CIA agents. The plan blends absurd humor with a counterintelligence twist. The scenes push Parker toward the next confrontation.

Parker infiltrates Johnson’s headquarters again to rescue Alison but is captured and tortured by lobsters. He uses the lobsters’ claws to escape from the restraints, turning the tide in his favor. Alison meanwhile frees captive animals, contributing to the fight.

Freed from captivity, Parker uses Gypsy’s magic meat to incapacitate henchmen, while Alison’s actions help unleash the captive animals. The pair work together to destroy the base by flooding the animal-control vats with Alka-Seltzer. The destruction leaves the villain’s operation in ruins.

They escape by riding an ostrich across the roof, with the bird bearing them toward safety. The stunt underscores the film’s silly, over-the-top action style. The ostrich later carries Parker to the ground outside the compound.

Outside the burning facility, the ostrich’s flight ends on solid ground as they slip away from danger. The immediate threat to Parker’s family fades as they move toward resolution. The sequence wraps up the action threads.

Parker and Alison reconcile and celebrate at his restaurant. The ending returns to domestic life, closing the loop on their relationship. The film finishes on a light, celebratory note.