Invictus

Invictus begins with the dramatic release of Nelson Mandela from prison in 1990, marking a pivotal moment after nearly 26 years of imprisonment on Robben Island for orchestrating acts against the South African government. His freedom heralds the decline of apartheid in South Africa, leading to his victorious election as the nation’s new leader. During his inauguration, he delivers an inspiring speech aimed at unifying the fragmented populace, which is starkly divided along racial lines between Afrikaners and various black tribes, including the Zulu, Xhosa, and Bapedi. This victory sparks celebrations among the black community, while many white Afrikaners and Zulu feel a sense of loss in their nation. The film captures this divide poignantly, juxtaposing a convoy of cars with Mandela against the backdrop of children playing soccer on one side and Afrikaners engaged in rugby on the other.

As Mandela settles into his presidency, his head of security, Jason Tshabalala (played by Tony Kgoroge), proposes an increase in security personnel for the president, recommending that some former white Special Branch officers be hired, which leads to initial tensions among the staff due to entrenched racial prejudices. Despite these complications, they recognize the necessity of collaboration. Early in his presidency, Mandela confronts the lingering anxieties of his administration when he decides against dismissing those who served in the previous regime, promoting a theme of reconciliation. His words resonate with his government, signaling a commitment to racial equality and shared governance.

As Mandela integrates into his role, he begins morning walks through the streets, initially met with alarm by his security during a false alarm involving a speeding blue van delivering newspapers. Concurrently, we meet François Pienaar, the captain of the Springboks, South Africa’s national rugby team. The Springboks, primarily composed of white players aside from one black member, Chester, symbolize the painful legacy of apartheid for many black South Africans, who prefer to support England over their own team.

With less than a year until the 1995 Rugby World Cup, Mandela recognizes the potential of rugby to bridge the fractures in South African society. Defying the Sports Commission’s intent to rename the team, he boldly argues to retain the Springbok identity—viewed by many Afrikaners as a part of their heritage. Even though his proposal receives mixed reactions from his own staff, including his assistant Brenda Mazibuko (played by Adjoa Andoh), Mandela remains resolute. He reaches out to Pienaar, emphasizing the need for inspiration and belief in their capabilities under pressure.

Pienaar, taking Mandela’s message to heart, presents the team with the South African national anthem, encouraging them to engage with it rather than dismiss it. The team is directed to spend time with the township kids, introducing them to rugby and fostering a sense of national pride and unity, irrespective of their backgrounds. The dynamic shifts as Mandela’s health becomes a concern; however, his unwavering support for the team is evident as he remains engaged with their progress throughout the tournament.

As matches unfold, the Springboks surprise spectators by advancing further than expected, culminating in a nail-biting final match against the undefeated New Zealand All Blacks. The atmosphere in the stadium is electric, filled with support from both black and white South Africans as they rally behind their team. Despite the odds stacked against them, the Springboks play valiantly, and in a stunning display of resilience, they clinch the victory by a narrow margin.

The film concludes with scenes of jubilation across South Africa as people from diverse backgrounds unite in celebration of their team’s success. Mandela’s security team struggles to navigate through the ecstatic crowd, but the president himself, embodying the spirit of unity, insists on taking a moment to absorb the significance of the victory. The closing moments of Invictus echo the profound poem, “Invictus,” reflecting the resilient spirit of a nation coming together after a long struggle.

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

Last Updated: November 03, 2024 at 20:23