Evil Things

In the quiet stretch of the Catskills, a group of five college friends embarks on a weekend escape from the bustle of New York City. The retreat is set up as a birthday celebration for Miriam, who has been granted access to her aunt’s spacious country home by Aunt Gail. Accompanying her are Cassy, a quick‑witted roommate; Mark, the skeptical pragmatist; Tanya, an easy‑going spirit who struggles with the driving; and Leo, an aspiring filmmaker eager to document the getaway. Their dynamic is a blend of playful banter and underlying tension, the sort that surfaces when close friends are confined together in an unfamiliar, isolated setting.

The house itself sits amid snow‑capped woods, a rustic sanctuary that feels both inviting and slightly out of step with the world they left behind. As the night falls, the group settles into the rhythm of a weekend meant for laughter, cake, and whispered stories, while Leo sets up his camera to capture the ordinary moments that might later feel extraordinary. The surrounding landscape, with its winding roads, small gas stations, and diner stops, introduces a subtle sense of unease, hinting that the remote countryside holds more than just scenic beauty. The ever‑present hum of the forest and the occasional glint of passing vehicles create an atmosphere where the line between calm and apprehension blurs.

Two days later, the friends vanish without a trace, leaving behind only fragmented clues and an enduring mystery that haunts both the locals and the investigators who revisit the case years later. The film’s tone balances the nostalgia of a youthful excursion with a creeping dread that something unseen is watching, turning a simple weekend into the catalyst for an unsolved disappearance that continues to echo through the quiet woods.

Last Updated: December 03, 2025 at 23:31