Comfort and Joy

In the winding streets of Glasgow, the city’s low‑key drizzle and the hum of late‑night traffic create a backdrop for a world where humor often masks deeper unease. Alan “Dickie” Bird is a radio disc jockey whose dead‑pan delivery turns everyday chatter into a quiet performance art. Fresh from a personal upheaval, he drifts through the city’s pre‑holiday lull, his solitary rides in a vintage convertible offering a momentary escape from the static of his own life.

A chance encounter on one of those drives thrusts him into the heart of Glasgow’s surprisingly fierce ice‑cream trade. A sudden, noisy clash between rival vendors catches his eye, pulling him from the safety of the airwaves into a tangled web of competition that is as much about family pride as it is about the perfect scoop. The rivalry pits an up‑and‑coming entrepreneur against a long‑established operation, both run by tight‑knit Italian families whose influence stretches through the city’s alleys and market stalls.

Trevor, the eager newcomer, and Mr. McCool, the seasoned proprietor, quickly become the focal points of a simmering feud that the locals treat with a mixture of reverence and sardonic amusement. Dickie’s natural curiosity, combined with his public persona, places him in a unique position to listen, comment, and perhaps influence the escalating tension. As he navigates the colourful cast—ranging from charismatic street sellers to his own supportive yet concerned friends—the city itself seems to pulse with a blend of gritty realism and far‑capped absurdity.

Through the lens of his early‑morning show, Dickie begins to weave the chaotic street drama into his broadcasts, offering listeners a glimpse of a world where ordinary pleasures like ice‑cream become the currency of rivalry and camaraderie. The atmosphere remains thick with dark humour, a sense of impending change, and the subtle promise that even the most entrenched disputes might be softened by an unexpected dose of ingenuity.

Last Updated: December 04, 2025 at 16:15