Charlie Says

In the stark corridors of California’s women’s maximum‑security facility, a quiet tension hums beneath the daily routine. The prison houses three women whose pasts are shrouded in infamy, yet within these walls they present a surprisingly gentle façade. Their lives remain tethered to the lingering echo of a charismatic, manipulative figure whose teachings still shape their thoughts and interactions.

Enter Karlene Faith, a graduate student from UC Santa Cruz tasked with teaching the trio as part of a rehabilitation program. She arrives with scholarly curiosity and a deep‑seated belief that education can unearth the humanity buried beneath layers of indoctrination. As she prepares lectures and discussion groups, Karlene confronts the uneasy balance between compassion and the desire to dismantle the lingering grip of a dangerous ideology.

The three inmates—Lulu, Katie, and Sadie—share a bond forged in a world far removed from the prison’s concrete confines. Their conversations are laced with reverence for a charismatic leader, and their loyalty to his worldview is both subtle and unsettling. Through quiet meals, guarded confessions, and the occasional flash of unexpected vulnerability, the women reveal fragments of selves that hint at lives once ordinary before they were drawn into a collective that demanded absolute surrender.

As Karlene delves deeper, the film cultivates an atmosphere of psychological intrigue, suggesting that redemption may be possible even when the shadows of the past loom large. The tone is introspective, teetering between stark realism and a lingering, almost gothic sense of the cult’s pervasive influence. In this confined world, the struggle to reclaim identity becomes a delicate dance—one that asks whether the bonds of belief can ever truly be broken, or if they will continue to shape the inmates’ futures long after the prison doors close.

Last Updated: January 08, 2026 at 11:31