A Futile and Stupid Gesture

In 1964, Douglas Kenney and Henry Beard celebrate the success of their book 'Bored of the Rings' alongside colleagues from the Harvard Lampoon. This event symbolizes the beginning of their comedic journey and the formation of a unique friendship centered around humor and creativity.

Upon graduating from Harvard, Kenney convinces Beard to forgo law school to launch 'National Lampoon'. This decision ignites a new chapter in their lives, as they aim to produce a publication that radiates irreverent comedic commentary.

With financial backing from Matty Simmons, National Lampoon rapidly gains momentum, thanks to the duo's dedication and creative output. Although they initially face challenges, their commitment to humor eventually solidifies the magazine's presence in the comedy landscape.

As National Lampoon grows, it attracts legal notice from major corporations like Disney and Volkswagen. This fight against significant players propels the magazine into the spotlight, reinforcing its role in changing comedic narratives with fearless satire.

Overwhelmed by burnout, Kenney abruptly steps away from the magazine for nine months, leaving Beard to manage the publication. Despite the turmoil, Beard’s leadership helps guide National Lampoon through this challenging period.

Eventually, Beard orchestrates a lucrative buyout of National Lampoon from Simmons in collaboration with Kenney. This deal provides the financial stability they need, however, it also marks the beginning of increased stress and dissatisfaction within the team.

National Lampoon expands its influence into radio with a new hour-long show showcasing talents such as Chevy Chase, Bill Murray, and Gilda Radner. This venture contributes to the magazine's cultural significance, cementing its place in the comedic landscape.

In 1978, Kenney writes the groundbreaking film 'Animal House', which catapults him into fame. This success is a high point in his career, representing a significant achievement and influential shift towards filmmaking.

Despite the successful release of 'Animal House', Kenney's struggles with cocaine addiction begin to spiral out of control. His increasing battle with addiction ultimately overshadows his professional life and creates distance between him and his colleagues.

Amid rising conflicts with studio executives, Kenney holds a press conference where his addiction struggles become evident. This moment marks a low point in his career as he faces the reality of his situation in front of the media and fans.

In a significant move, Kenney, Beard, and Chris Hoffman decide to sell National Lampoon to Simmons’ Twenty First Century Communications. This decision represents a pivotal change not only for the magazine but also in Kenney's tumultuous life.

In a gesture of support, Chevy Chase takes Kenney on a restorative trip to the beaches of Hawai'i in hopes of guiding him towards recovery. Unfortunately, the trip does not lead to the hoped-for healing and Kenney's struggles continue.

The tragic climax occurs in 1980 when Kenney's body is found at the bottom of a Hawai'ian cliff. His belongings eerily arranged at the top serve as a haunting reminder of the same life that was once vibrant with creativity.

In a surreal turn, Kenney observes his own funeral and expresses discontent with the mourners' display of sorrow. He reflects on his life and acknowledges that despite his untimely death, his legacy continues through the enduring humor of National Lampoon.

At the wake, Beard lightens the somber atmosphere by initiating a food fight, reminiscent of their carefree days at Harvard Lampoon. This moment not only serves as a tribute to their friendship but also symbolizes the enduring nature of humor in the face of loss.