The Rider Named Death

The movie begins with a stunning woman entering the czar's palace, setting a dramatic tone for the story. She requests permission to see her imprisoned brother, hinting at family ties and hidden intentions that will soon unfold.

In a shocking turn of events, the woman reveals a hidden gun and shoots the leader, dramatically altering the course of the narrative. This act of rebellion sparks a discussion about the revolutionary history in Russia and its far-reaching consequences, marking the beginning of the main conflict.

George, portrayed by Andrei Panin, is introduced as a leading figure among Russian socialists. He is determined to dismantle the monarchy and grapples with the implications of previous assassination attempts as the political landscape grows more tumultuous.

The government is under the control of Grand Prince Sergei Aleksandrovich, played by Vasiliy Zotov. The political environment is rife with dissatisfaction, as numerous attacks from dissident socialists create a climate of fear and unrest.

Erna, the group's bomb maker and portrayed by Kseniya Rapport, is introduced next. Her struggle with cocaine addiction adds complexity to her character, and her growing affection for George complicates the group's dynamics.

The bond between George and Erna deepens as they share intimate moments amid their dangerous revolutionary activities. This emotional layer introduces personal stakes into their political struggle, showcasing the intertwining of love and rebellion.

Fydor, played by Rostislav Bershauer, is introduced as a character filled with resentment due to social and economic inequalities. His feelings fuel the revolutionary fervor, highlighting the personal motivations behind the broader ideological conflict.

Vanya, portrayed by Artem Semakin, is a fervent believer in the chaos caused by terrorists, viewing it as essential to the revolutionary cause. His idealistic views represent the radical mindset that some members of the group embody.

Heinrich, played by Aleksey Kazakov, is characterized by his scholarly approach to the revolution. He contemplates the broader implications of their actions, presenting a contrasting viewpoint to the more impulsive members of the group.

As the group plans various sabotage attempts against the government, they encounter a series of failures. These setbacks lead to casualties within their ranks and highlight the perilous nature of their revolutionary activities.

Amidst the failures and growing chaos, George remains focused on his personal mission to topple the Grand Prince. His ambition underscores the film's themes of sacrifice and ideological conflict against the backdrop of revolutionary fervor.

The narrative continues exploring the consequences of the group's actions, revealing the devastating effects on both their personal lives and the societal landscape. The struggle between maintaining personal relationships and pursuing political goals becomes increasingly evident.

As the tensions escalate, the climax of the revolution looms, presenting a critical juncture for the characters. Each member must confront their ideologies and the reality of their choices, leading to significant transformations.

In the final moments, the characters reflect on the sacrifices made during their journey. The film concludes with a somber reminder of the personal and collective costs of revolution.