Olivia

In the waning years of the nineteenth century, a modest finishing school perched on the outskirts of Paris offers a world both genteel and stifling. The stone corridors and sun‑dappled gardens echo with the quiet ambitions of young women who have been sent abroad to polish their manners and minds. Within this cloistered community, the atmosphere is simultaneously welcoming and charged with unspoken hierarchies, inviting newcomers to sense the delicate balance between tradition and the yearning for something beyond the prescribed roles of the era.

Olivia, an English teenager accustomed to the rigid discipline of a boarding school back home, arrives with a mix of apprehension and curiosity. Her innocent yet keen eye quickly notes the way friendships form and fracture, how whispers travel along the hallway tiles, and how the school’s social order seems split between two distinct camps. As she settles into her new routine, she becomes both observer and participant in a micro‑society where loyalty and affection intertwine in subtle, often bewildering ways.

At the heart of the institution stand Mlle Julie, the headmistress whose calm authority masks a personal complexity, and Mlle Cara, the co‑head whose presence is both commanding and emotionally volatile. Their relationship, marked by an undercurrent of attraction and tension, pervades the school’s daily life, shaping the allegiances of students and staff alike. Olivia finds herself drawn into this intimate sphere, her own feelings mirroring the unspoken currents that ripple through the academy’s halls.

The film unfolds as a lyrical portrait of longing, power, and the fragile transition from adolescence to adulthood. Through delicate prose and restrained visuals, it invites the audience to linger on the quiet moments that reveal deeper desires, hinting at a story where personal bonds may both uplift and unravel within the elegant yet confining world of the finishing school.

Last Updated: December 05, 2025 at 09:42