Not One Less

In the 1990s, Wei Minzhi, a 13-year-old girl, takes on the role of a substitute teacher in a rural village in China. She is tasked with covering for the regular teacher for a month, representing a significant responsibility for someone her age.

With her new position, Wei realizes that her main duty is to ensure that none of her students drop out of school. This highlight of her responsibility showcases the pressures faced by teachers in rural China, as well as the importance of education amidst socio-economic challenges.

One of Wei's students suddenly leaves the village in search of work, which throws her into a panic. This event not only tests Wei's resolve but also highlights the desperation of rural youth seeking opportunities in urban areas.

Determined not to let her student drop out, Wei embarks on a quest to find him in the bustling city. Her journey reflects both the emotional bond she has formed with her students and the lengths she is willing to go to fulfill her responsibilities.

Throughout the film, critical themes of education reform in China continue to unfold. Wei's experiences expose the stark differences between the educational systems in urban and rural settings, illustrating the need for reforms.

The film poignantly portrays the economic divide that affects families in rural China. As Wei interacts with various characters, the struggles they face in terms of finances and opportunities become apparent, creating a powerful commentary on socio-economic disparities.

Wei's challenge is also compounded by the overarching bureaucracy and authority figures in her environment. The film illustrates how these elements can hinder the education system, emphasizing the clash between governmental policies and grassroots realities.

Upon its domestic release, 'Not One Less' receives a significant promotional campaign from the Chinese government. This initiative is aimed not only at promoting the film but also at addressing issues of film piracy, showcasing the government's interest in film as a cultural tool.

Internationally, the film's reception is divided with critics praising its neorealist style and bold critique. However, some dismiss it as pro-government propaganda, reflecting the mixed responses it elicited from global audiences.

In a notable incident, when the film is omitted from the top competition at the 2000 Cannes Film Festival, director Huike Zhang expresses his disappointment. He critiques the festival for its alleged discrimination against Chinese cinema in a heartfelt letter.

Despite the controversies, 'Not One Less' finds success on the international stage by winning the prestigious Golden Lion at the Venice Film Festival. This accolade shines a light on the film's significance and reinforces its critical themes.

Additionally, Huike Zhang receives the award for Best Director at the Golden Rooster Awards. This recognition solidifies the film's impact on discussions surrounding Chinese cinema and society during a tumultuous period.