Little Murders

In a summer that feels like a fever dream, 1970s New York drips with decay and disquiet. The streets hum with the noise of constant violence, obscene phone calls, rolling blackouts, and a restless undercurrent of ethnic‑racial tension. The city itself becomes a character—its leaky pipes and flickering lights framing a world where paranoia is as ordinary as the morning newspaper, and dark humor drips from every cracked sidewalk.

Patsy Newquist is a twenty‑seven‑year‑old interior designer who believes she can sculpt the men around her to fit her own designs. She moves through the chaos with a mix of cynicism and fragile optimism, trying to impose a sense of order on a metropolis that seems to be falling apart. Her determination to find meaning in the turbulence leads her to intervene in a moment of street brutality, setting the stage for an unlikely partnership.

Alfred Chamberlain enters as a photographer obsessed with the grotesque, a man whose emotional landscape is so barren that pain and pleasure barely register. His bizarre fascination with the macabre world he captures—and his seeming indifference to the world’s violence—make him both a mirror and a mystery for Patsy. Their connection is tangled with curiosity, suspicion, and a desperate search for something genuine beneath the city’s cracked veneer.

Around them, an eccentric family gathers, each member bringing their own brand of oddity to the mix. The eccentric parents, a brother who drifts in and out of relevance, and an existential reverend who officiates a ceremony that feels more like a theatrical statement than a traditional rite—all contribute to a tableau where domestic routine and surreal absurdity constantly collide. Within this disordered playground, Patsy and Alfred navigate a relationship that promises to reveal whether any true feeling can survive the city’s relentless, darkly comic onslaught.

Last Updated: December 04, 2025 at 23:08