Year: 1964
Runtime: 75 mins
Language: Hebrew
A comic, episodic satire that improvises to expose the clash of fantasy and reality. Inspired by Jonas Mekas’s Hallelujah the Hills, it becomes an Israeli critique, mocking the heroic myths of early Zionist cinema. Using a film‑within‑a‑film device, it treats cinema as a dream‑made‑real, echoing Israel’s mythic rise. Though never a commercial hit, it remains a subversive experiment of its patriotic era.
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