Calm Yourself

Calm Yourself

Year: 1935

Runtime: 70 mins

Language: English

Director: George B. Seitz

RomanceComedy

Produced by Metro‑Goldwyn‑Mayer’s Laugh Riot division, the story follows a recently‑fired advertising executive who launches his own firm, Confidential Services, dedicating it to resolving clients’ most unusual and problematic situations with a comedic twist. His knack for creative persuasion and willingness to bend conventions draws him into a succession of oddball cases, each demanding inventive, off‑beat solutions while lampooning the quirks of the business world.

Warning: spoilers below!

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Timeline – Calm Yourself (1935)

Trace every key event in Calm Yourself (1935) with our detailed, chronological timeline. Perfect for unpacking nonlinear stories, spotting hidden connections, and understanding how each scene builds toward the film’s climax. Whether you're revisiting or decoding for the first time, this timeline gives you the full picture.

1

Patton is fired after kissing Mary Elizabeth

Col. Allenby catches Preston 'Pat' Patton kissing his daughter, Mary Elizabeth, and fires him from his job. The humiliation becomes the spark that inspires Pat to reinvent himself as the head of a new venture, Confidential Services Incorporated, a business that undertakes every kind of difficult task so that clients may calm themselves. He vows to make his own luck in New York despite the personal setback.

early evening Allenby's office
2

Patton launches Confidential Services Incorporated

Pat negotiates his new approach by pretending to be a female secretary to handle calls. He inundates the city with letters advertising his services, building a bold, if dubious, reputation. He becomes the sole employee of the company.

New York
3

Patton's first assignment goes awry

On his first assignment, Pat delivers the wrong drunk to a wife's bed, triggering a cascade of comic misadventures. The mistake shows that his unorthodox methods can create more problems than they solve. The chaotic setup foreshadows the ensuing complications.

unspecified New York
4

Rockwell hires Pat; sees potential despite deceit

Kenneth Rockwell summons Pat to his office. He is aware of Pat's deceits, yet he admires the cleverness of the letter and believes Pat can help him maneuver Rosalind.

unspecified Rockwell's office
5

Rosalind's backstory and arrival planned

Rockwell explains that his first wife took their three-month-old daughter Rosalind to California almost twenty years ago. He has since remarried and just received word that Rosalind will arrive by an afternoon train. The family dynamics set the stage for Pat's matchmaking ruse.

afternoon Rockwell's office
6

Pat meets Rosalind at the train

Pat meets Rosalind at the train and tells her her father is ready to ship her back to California. He uses a mix of charm and deception to position himself as her guide in New York.

afternoon New York train station
7

A staged confrontation with Allenby on 6 pm

Pat describes her supposed engagement with Mary Elizabeth and takes Rosalind to Col. Allenby's building at 6 p.m. This timing sets up a heated quarrel with Allenby on the street as the colonel exits his office. The scene is the catalyst for Rosalind's growing skepticism about her father.

6:00 PM Allenby's building, New York
8

Rosalind loses interest in her father

Rosalind witnesses, but does not overhear, the argument from Pat's car and loses all interest in her father. The deception begins to backfire as she questions her father's role in the plan. The tension between the central players deepens.

evening Street outside Allenby's building
9

Rosalind stays in New York as Pat's secretary

With only $25 and a wish to stay in New York, Rosalind agrees to become Pat's secretary to support herself. Pat's eccentric business arrangements become a makeshift family structure around her. This turn cements Pat's central role in Rosalind's life.

following evening Pat's office
10

Mary Elizabeth's jealousy and quarrel

Mary Elizabeth grows jealous and their arrangement sparks a quarrel when Pat refuses to fire Rosalind. The tension among the trio edges toward a larger misadventure. Rockwell's desire to control the situation clashes with Pat's unconventional methods.

unspecified Rockwell's circle
11

Comic misadventure escalates: baby, Great Dane and police

The trio becomes entangled in a comic misadventure that involves a baby, a Great Dane, and a police chase. The absurdity amplifies the chaos surrounding Pat's service scheme. The episode showcases the film's farcical tone.

throughout the day and evening New York City
12

Rosalind and Rockwell's reunion; not Allenby

Rosalind and her father finally meet, and she is relieved to discover he is not Col. Allenby. The moment softens her skepticism and suggests a possible reconciliation. It heightens the tension as Pat's influence grows.

toward the end Somewhere in New York
13

Pat and Rosalind's kiss; engagement

Rockwell is about to introduce Rosalind to Pat, but the pair share a kiss instead. Pat proclaims they will be married, and Rosalind's reaction is hopeful but cautious.

final moments New York
14

Calm yourself! ending

Pat delivers his signature line, 'Calm yourself!' as the couple embraces. The film closes on a comic, affectionate ending that cements their impending marriage.

final scene New York street/doorway

Last Updated: October 07, 2025 at 09:02

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Calm Yourself Summary

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Calm Yourself Summary

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Characters, Settings & Themes in Calm Yourself

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