Burying the Ex

In a world where Halloween thrills linger long after October has passed, the film follows Max, a charismatic horror‑enthusiast whose daily life is a scrapbook of classic monsters, memorabilia, and midnight movie marathons. He dreams of turning his passion into a storefront, a shrine to the things that keep his imagination alive. The tone is a playful blend of quirky romance and macabre comedy, letting the audience feel the tug of nostalgia while hinting at something darker waiting just beyond the flickering lights of a cheap theater.

When Evelyn steps into his life, the chemistry is immediate. She is a fiercely dedicated environmentalist whose devotion to sustainability borders on obsession, and she brings a fresh, earthy counterpoint to Max’s gothic sensibilities. Their budding romance feels both heartfelt and hilariously off‑kilter, as Max finds himself reshaping his habits and even his prized possessions to accommodate her eco‑centric world. This clash of passions sets up a delightfully uneasy balance: love and ambition wrestle for space in a shared apartment that soon feels like a living set piece.

Adding further color are Olivia, the owner of a whimsical ice‑cream shop whose sweet storefront becomes a recurring backdrop for the pair’s tender moments, and Travis, Max’s laid‑back half‑brother who offers offbeat advice with a mischievous grin. Their presence deepens the story’s sense of community, providing both comic relief and a grounding perspective on Max’s increasingly tangled feelings.

As the couple’s connection deepens, an unexpected twist turns the romance into a surreal nightmare: Evelyn returns in a form that is simultaneously familiar and terrifying, embodying the very horror that Max adores while demanding he confront the unsettling reality of love with an undead twist. The film teeters between affectionate satire and genuine suspense, inviting viewers to wonder whether devotion can survive when the heart beats— or stops— in the most unlikely of places.

Last Updated: August 10, 2025 at 04:32