A Very Brady Sequel

A Very Brady Sequel

Year: 1996

Runtime: 90 min

Language: English

Director: Arlene Sanford

Budget: $12M

Comedy

A con artist named Trevor Thomas infiltrates the Brady household, falsely presenting himself as Carol's former husband. His deceptive schemes disrupt the family's peaceful life and expose them to the challenges of the 1990s. When the Brady children uncover Trevor's true nature, he steals a valuable family heirloom and flees, leading the family on a comical pursuit to Hawaii.

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A Very Brady Sequel (1996) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of A Very Brady Sequel (1996), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

One evening, a man presenting himself as Carol’s (Shelley Long) long-lost first husband, Roy Martin (Tim Matheson), unexpectedly arrives at the Brady household. The Bradys, overwhelmed by his tale of amnesia and claims of undergoing plastic surgery due to an injury, readily accept him into their lives. Meanwhile, Mike (Gary Cole) has plans to secretly organize a second wedding and renewal of vows for himself and Carol as a surprise for their anniversary. However, Roy’s sudden appearance complicates matters significantly.

Throughout his stay, Roy’s demeanor is openly antagonistic, showering them with sarcasm that, amusingly, goes unnoticed by the family. The Brady family dynamic is intricate—Mike has three sons from a previous marriage, and Carol has three daughters. Alice, the ever-dedicated housemaid, adds to the household chaos. Among the children, Marcia stands out as the eldest and most sought after by boys, while Jan struggles with her self-image and has no luck in the dating department.

Roy, who seems to have ulterior motives, is overheard speaking on the phone, possibly about a horse-shaped artifact sent to be cleaned by Alice after a grape juice mishap. As his stay progresses, Peter (Paul Sutera), in an effort to find his path in life, starts idolizing Roy, modeling his behavior after him, which leads to frequent predicaments at the architecture firm where Mike works. In an unfortunate turn of events, Peter’s admiration causes him to act out during an internship, becoming preoccupied with Roy’s antics instead of focusing on his responsibilities. Notably, Mike uncovers that Roy’s mention of “the big house” is a euphemism for prison, raising red flags about Roy’s character.

In a misguided attempt to impress Marcia, Roy advises Jan to concoct a lie about having a boyfriend. However, Marcia sees through the deception. The kids soon discover that the horse artifact is at a nearby antique store for restoration, a situation that Roy tries to exploit. Just as plans unfold, Alice is disappointed after Roy dismisses her meatloaf, prompting her to add some magic mushrooms she found in his room to his dinner, resulting in a comical trip for Roy.

As the drama unfolds, Greg (Christopher Daniel Barnes) and Marcia (Christine Taylor) find themselves bundled into an attic-sharing arrangement when they both desire more space. Roy’s presence leads them to question their familial ties, which awkwardly stirs up romantic feelings between them that they both strive to keep under wraps.

Bobby (Jesse Lee Soffer) and Cindy (Olivia Hack) embark on a whimsical “Detective Agency” to locate Cindy’s missing doll. Their antics inadvertently reveal a photograph that unmasks Roy as Trevor Thomas, a con artist out to snatch a valuable horse statue worth $20 million. With their cover blown, the children relay their findings to Carol, who confronts Trevor. In a climactic twist, Trevor kidnaps Carol, whisking her away to Hawaii in a bid to sell the artifact to Dr. Whitehead (John Hillerman), while also keeping the kids and Alice bound to prevent interference.

Mike, now fully aware of Trevor’s duplicity, collaborates with the police and rushes to rescue Carol and the kids. In Hawaii, Carol escapes and arrives at Dr. Whitehead’s estate just before Trevor can execute his plan. The backstory reveals that Trevor was behind a tragic boating accident that claimed the life of Dr. Whitehead’s son and Carol’s first husband, adding emotional depth to their confrontation. In a pivotal moment, Mike arrives just in time to thwart Trevor’s desperate attempt for payment, resulting in Trevor’s arrest.

Dr. Whitehead offers the Bradys a hefty reward for the return of the artifact, but Mike, valuing the symbol of their family’s togetherness more, respectfully declines the money. In a touching gesture, Cindy gives her outgrown doll to Dr. Whitehead, showcasing the bonds of family love. Jan, who previously fabricated a fake boyfriend named George Glass, ends up meeting a real boy by the same name during their escapade in Hawaii, kindling a genuine romance.

As the family reunites at home for a vow renewal ceremony, in a generous act, Marcia concedes the attic space to Greg, emphasizing their sibling bond. The film concludes with Carol tossing her bouquet, which a whimsical genie named Jeannie catches, introducing an unexpected twist by claiming to be Mike’s first wife, leaving everyone in shock.

Last Updated: November 03, 2024 at 15:10

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Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.

Nostalgic family parodies like A Very Brady Sequel

Lighthearted and campy comedies that lovingly mock classic family sitcoms.If you enjoyed the campy, satirical take on 'The Brady Bunch' in A Very Brady Sequel, you'll love these other movies. This collection features comedies that lovingly parody classic TV shows and family dynamics, delivering a similar mix of cheerful nostalgia, gentle humor, and feel-good hijinks.

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Narrative Summary

Stories in this thread typically involve taking a well-known, wholesome television world and putting it in a mildly absurd situation. The narrative conflict is light and often stems from a clash between the characters' overly optimistic worldview and a more cynical modern reality. Plots are straightforward, with the central tension resolved through family unity and unwavering optimism.

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Movies are grouped here for their shared commitment to campy, affectionate parody. They have a consistently low intensity, a light and whimsical tone, and a steady pacing that prioritizes a constant stream of gentle gags over complex plotting. The emotional journey is always light, celebrating family and nostalgia above all else.

Goofy family adventure pursuits like in A Very Brady Sequel

A quirky family bands together on a comical, low-stakes quest.Fans of the Brady family's hilarious chase to Hawaii in A Very Brady Sequel will enjoy these movies. This section highlights stories where a quirky family or group goes on a comical, low-stakes adventure or pursuit, emphasizing silly situations, family bonding, and lighthearted fun over genuine suspense.

sillyplayfulwhimsicalcheerfulfarcicallightheartedquirkyunited

Narrative Summary

The narrative pattern involves a disruption to a group's normal life—often a theft or a mild deception—that sends them on a journey. The pursuit is the main driver of the plot, but the real story is the comedic interactions and bonding within the group. The conflict is resolved not through intense action, but through the group's collective, often clumsy, perseverance and good humor.

Why These Movies?

These movies share a specific mix of tone, pacing, and narrative structure. They are defined by their light emotional weight, steady pacing filled with comedic incidents, and a straightforward plot centered on a humorous pursuit. The experience is consistently cheerful and silly, with an emphasis on family-friendly fun and an unambiguously happy ending.

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Characters, Settings & Themes in A Very Brady Sequel

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