Year: 1968
Runtime: 93 mins
Language: English
Director: Joseph McGrath
Harriet Blossom, bored with her husband Robert—a businessman who prefers evenings at his bra factory—finds herself alone when her sewing machine breaks. Robert sends the repairman, Ambrose, who instantly ignites Harriet’s desire. She lures him to the attic for a secret encounter, and their affair deepens into a years‑long liaison hidden in plain sight of Robert.
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Robert Blossom is a brassiere manufacturer and workaholic (played by Richard Attenborough) who secretly longs to be a musician, conducting imaginary orchestras in the quiet of his home. His wife Harriet Blossom is an imaginative and romantic-minded painter (played by Shirley MacLaine) who loves and supports her husband, yet often feels left behind by the rhythm of his factory-driven life.
When Harriet’s sewing machine breaks, Ambrose Tuttle is sent to repair it (played by James Booth). In the course of fixing the machine, Ambrose shares a heartfelt life story about being an orphan with no true home or family to love. Harriet is deeply touched by his tale, and a surprising spark kindles between them. Their bond quickly blossoms into a love affair, staged as a melodramatic daydream in which Ambrose appears as a heroic figure who rescues Harriet. When Robert returns unexpectedly, Harriet hides Ambrose in the attic and instructs him to slip away in the night. But Ambrose is entranced by Harriet and resolves to remain, becoming her secret paramour.
The affair settles into a volatile routine: the lovers meet clandestinely during the day while Robert runs his factory, and by night Harriet furnishes Ambrose with Teach Yourself books to educate him and transform the attic into a full, living space—one that mirrors the education and opportunity Ambrose never had. As Ambrose grows bolder and Harriet grows bolder in her deception, the question of loyalty hangs over the household.
Ambrose’s disappearance triggers the arrival of Det. Sgt. Dylan, a sharp Scotland Yard investigator (played by Freddie Jones). Dylan’s instincts drive him to Harriet, who insists Ambrose never arrived at her home, despite the mounting evidence. The detective keeps pressing, sometimes catching Harriet off-guard, while Ambrose remains hidden in disguises—at times as a Mexican “Juan.” Dylan never quite connects the dots, and by the time he thinks Harriet may be involved with her supposed half-brother, the very notion of murder begins to loom in his mind.
Meanwhile, Robert’s mind frays under the attic noises and the persistent sense that another presence lurks in the house. Harriet convinces him that it is all in his imagination, allowing him to doubt his own sanity. Yet Ambrose and Harriet both realize they care for Robert and feel guilty for triggering his breakdown. Ambrose decides to use his new education to help Robert grow the business, urging diversification, which unexpectedly makes Robert wealthy beyond his wildest dreams and frees him to retire in order to pursue his real passion: music.
As retirement nears, Dylan returns with a breakthrough: he believes Harriet’s secret lover “Juan” is real and still lurking in the attic. Robert and Harriet confront the attic together, only to discover that Ambrose is very much alive and well. The couple proceeds to divorce, with Robert gifting his businesses to Harriet and Ambrose so they can continue their life together while he dedicates himself to composing and performing music.
Time passes, and in a final, quiet moment of revelation, Ambrose—now sober and suited for the office—has breakfast with Harriet, then leaves for a day of work. Harriet stamps the floor, prompting Robert to rise from the basement wearing a mod-inspired outfit that echoes a rock star’s flair. The two share a tender, renewed embrace, signaling a complex, unconventional harmony that lingers long after the curtain falls.
Last Updated: October 07, 2025 at 08:52
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories of secret lives and absurd deceptions played for lighthearted laughs.Find more movies like The Bliss of Mrs. Blossom that explore secret lives and marital deceptions with a whimsical, lighthearted approach. These comedies focus on absurd situations and charming characters, offering a similar feel of romantic escapism without heavy emotional weight.
The narrative pattern typically involves a character, often feeling unfulfilled in their domestic life, who embarks on a secret affair or double life. The central conflict arises from maintaining the deception, leading to a series of increasingly absurd and comical situations that are eventually resolved in a satisfying, often unconventional, happy ending.
Movies are grouped here based on their shared lighthearted tone, whimsical approach to potentially serious themes, and a narrative structure that prioritizes playful comedy over genuine drama. They offer a consistent experience of charming absurdity and romantic fun.
Comedies where characters hide lovers or double lives in plain sight.If you enjoyed the unique premise of The Bliss of Mrs. Blossom, discover other comedies featuring characters hiding lovers or secret identities in attics, basements, or other unlikely places. These stories share a sense of playful tension and fantastical situations.
The core of these stories is a fantastical secret maintained over a long period. The narrative follows the elaborate ruses and close calls required to keep the hidden life a secret from a oblivious spouse or family member. The journey is one of sustained deception for personal fulfillment, culminating in a resolution that often embraces the absurdity.
These movies are linked by a highly specific and shared narrative premise: a secret person living hidden within a home. This creates a cohesive group defined by a unique plot mechanism that generates a distinct blend of romantic whimsy and situational comedy.
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