Year: 2005
Runtime: 85 mins
Language: English
Director: John Kirby
An inventive, fictionalized documentary follows editor Lewis Lapham as he guides two Ivy grads into America’s elite, probing how class and wealth shape democracy. The film visits the Pentagon, Manhattan gatherings and other power hubs, where Lapham talks with James Baker III and Walter Cronkite, each offering their view of the ruling class.
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In a sleek, almost academic documentary‑style frame, Lewis Lapham invites viewers into a hidden circuit of power that threads together the Pentagon, Manhattan salons and the boardrooms of the nation’s most influential firms. His provocative question—whether a true ruling class steers America’s destiny—sets a tone that is both inquisitive and measured, blending factual observation with gently speculative storytelling. The film’s visual palette oscillates between the polished corridors of elite institutions and the quieter, lived‑in spaces of those just on the periphery, underscoring a world where wealth and ambition intersect in subtle, often invisible ways.
At the heart of the narrative are two freshly minted Yale graduates whose lives illuminate opposite ends of the socioeconomic spectrum. Jack Bellami, heir to an old‑money lineage, carries an inherited confidence that guides him toward the corridors of high finance, where the allure of influence feels almost inevitable. In contrast, Mike Vanzetti emerges from a modest, middle‑class background, clutching a writer’s notebook and a fierce desire to shape society from outside the entrenched system. Their friendship, forged in the halls of academia, becomes a lens through which the film examines the divergent choices faced by those who seek impact in a world that rewards capital as much as conviction.
The documentary’s rhythm is shaped by Lapham’s interviews with storied figures such as James Baker III and Walter Cronkite, each offering a measured perspective on the mechanics of power. Their commentary, paired with the protagonists’ early ambitions, creates a tapestry of dialogue that feels more like a symposium than a conventional plot, encouraging the audience to contemplate the undercurrents that drive policy, wealth accumulation, and cultural authority.
Through its contemplative pacing and richly textured settings, the film invites viewers to linger on the uneasy questions it raises: How do class and wealth dictate the avenues available for change? Where does personal conviction fit within an ecosystem that seems predisposed to elevate the affluent? The atmosphere remains open‑ended, leaving the audience to ponder the possibilities that lie ahead for the two graduates and the nation they hope to understand.
Last Updated: October 14, 2025 at 03:53
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