Year: 2016
Runtime: 110 min
Language: Hebrew
Director: Erez Laufer
This documentary explores the life and legacy of Israeli leader Yitzhak Rabin, primarily through his own words and personal materials. Archival footage, home movies, and private letters reveal his journey from a labor leader’s son to a farmer, soldier, and ultimately, Prime Minister. The film chronicles his significant achievements and challenges, including his role in the peace process, and culminates in the events surrounding his assassination.
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On August 9, 1974, Richard Milhous Nixon became the first President of the United States to resign from office. His presidency, which reigned from 1971 to 1973, was marred by the secret recording of his conversations, initially intended to preserve a historical record. However, following the explosive Watergate scandal, the disclosure of these tapes ultimately led to his political demise.
Fearing the impact of his raw and unfiltered commentary on the tapes, Nixon aimed to keep their contents hidden for the duration of his life post-presidency. Yet, following his death in 1994, the government initiated the release of the 3,700 hours of recordings, with the final installments made public on August 20, 2013.
In 1982, John Ehrlichman, Nixon’s former chief domestic advisor, expressed apprehensions about the tapes’ implications. He remarked, > “The problem is that historians are going to grab an hour of tape… and if you listen to a snippet of tape, you’re going to form an impression of this man that’s going to be wrong.” He envisioned that a future group of historians would evaluate the entirety of the tapes and archives, ultimately revealing Nixon as “the strangest paradoxical combination of any man I ever heard of.”
Only a select few, including Chief of Staff H.R. Bob Haldeman, Deputy Assistant Alexander Butterfield, and Special Assistant Stephen Bull, were aware of the recordings. Notably, others—such as John Ehrlichman, National Security Advisor Henry Kissinger, and Attorney General John Mitchell—were kept in the dark. Nixon himself reflected in 1983 on the tapes being “voice activated, everything was taped which was probably stupid.”
The declassified content of these recordings disclosed Nixon’s perspectives on various critical issues, including the Vietnam War, the Pentagon Papers leak, and his Supreme Court nominations. In private discussions with Henry Kissinger, Nixon voiced frustration at anti-war demonstrators, stating, > “It really burns me up. We have no pride do we anymore, Henry?” He also expressed contempt for Vietnam veteran [John Kerry], denoting him as “quite a phony.” Despite the growing anti-war sentiment around him, Nixon was adamant that “that was not the voice of America. The voice of America was the silent majority.”
His bitter response to the New York Times’ publication of classified Pentagon documents underscored his increasing animosity towards the media. He declared to Henry Kissinger, > “This is treasonable action on the part of the bastards that put it out.” This hostility extended to Daniel Ellsberg, the culprit behind the Times publication, whom Nixon targeted with anti-Semitic remarks, suggesting that “the Jews are born spies.”
As pressure mounted for him to nominate a female Supreme Court Justice, Nixon publicly put forth candidates such as Mildred Lillie and Sylvia Bacon, but confided to John Mitchell his wish to veer away from that “woman kick.” He would later consider his Supreme Court nominations as one of the significant domestic successes of his presidency. Internationally, he marked his groundbreaking trip to China in 1972 and his arms negotiation efforts in Moscow as major policy victories.
Nixon’s disdain for the media was palpable as he reiterated to Henry Kissinger that > “The press is the enemy,” insisting on the necessity to undermine their credibility. He encouraged [Charles Colson], his Special Counsel, to “keep up the attack on the media,” displaying a raw contempt that became evident both in public interviews and private discussions.
When the Watergate break-in occurred, Nixon contemplated with Bob Haldeman the possibility of providing financial support to the arrested individuals, noting, > “Well, they took a hell of a risk. And they have to be paid.” He downplayed the event’s significance, sharing with speechwriter Pat Buchanan his belief that “the Watergate thing… is going to pass. That’ll be over.”
Despite winning a landslide re-election and proclaiming what he called “peace with honor” in Vietnam, the Watergate issue persisted. During Senate hearings on July 16, 1973, the existence of secret recording devices in his office came to light, culminating in his resignation as impeachment loomed on the horizon.
Last Updated: October 25, 2024 at 11:31
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Documentaries exploring the tragic collapse of powerful political figures.This section features movies like Rabin in His Own Words that explore the dramatic fall of political leaders. If you appreciated the critical, archival-driven examination of power and tragedy, you'll find similar documentaries and dramas here focusing on political scandals and legacies.
The narrative follows a tragic arc, typically beginning with the subject's rise to power and culminating in their inevitable political and personal collapse. The journey is marked by critical turning points, often self-inflicted, that lead to a loss of public trust and a definitive, sad ending.
These movies are grouped together because they share a dark, somber tone and a heavy emotional weight. They focus on the forensic, unsettling dissection of power and feature a steady, historical pacing that builds towards a tragic conclusion, creating a cohesive and sobering viewing experience.
Stories pieced together from private letters, recordings, and home movies.Discover films similar to Rabin in His Own Words that tell historical stories through personal archives. If you liked the intimate perspective provided by private recordings and letters in this documentary, you'll find other movies that use this technique for a revealing and personal look at history.
The narrative is constructed rather than told linearly, assembled piece by piece from primary sources. This approach creates a sense of discovery for the viewer, as the story unfolds through the subject's own words and private moments, leading to a deeper, often more critical, understanding.
These films are united by their unique storytelling method, relying on personal archives to build a narrative. They share a reflective, sometimes forensic mood, a steady pacing that allows for deep immersion, and a tone that can range from intimate to critically dark, creating a distinct and compelling genre.
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